This spring, Oklahoma Contemporary will present Ed Ruscha: OKLA, the first solo exhibition of work by Ed Ruscha in the artist’s home state and home town, and the second major exhibition in Oklahoma Contemporary’s new building. The exhibition will run from Feb. 18 through July 5, 2021.


Featuring objects spanning the artist’s 60+ year career that explore his relationship to Oklahoma, Ed Ruscha: OKLA presents iconic pieces such as Twentysix Gasoline Stations and Chocolate Room alongside newer, lesser-known bodies of work, including two recent Drum Skins paintings. The exhibition will include 70+ works across media, ranging from paintings and a large-scale installation to drawings, prints, books, photos and film. Ed Ruscha: OKLA is both the first solo exhibition of the artist’s work presented in the city of his childhood, and the first ever to explore the influence Oklahoma has had in forming the artist’s aesthetic sensibility.

“The mythos of Ed Ruscha is tied to Americana and the open road, both of which are rooted in his childhood here,” said Artistic Director Jeremiah Matthew Davis. “We’re excited to share this landmark exhibition with our visitors, and hope the programs created by our incredible educational and curatorial teams can leverage Ruscha’s work to inspire the next generation of artists in Oklahoma. We are thrilled to be working closely with Ed Ruscha and his studio to bring this important facet of his work to light, and to do so in the state’s first survey of his iconic artworks. Hopefully, Ed Ruscha: OKLA will help to broaden the public’s awareness of Oklahoma’s significant influence on Ruscha’s work throughout his storied career.”

Oklahoma looms large in Ruscha’s work, as a source of inspiration and as a foundation on which his unique perspective on America was first formed. In 1956, he embarked on the first of many road trips — to which he would frequently make reference in his art — from Oklahoma to Los Angeles to begin his artistic career. Ruscha has repeatedly been quoted in the years since saying everything he’s done was already part of him when he left Oklahoma at 18. Ed Ruscha: OKLA is the first exhibition to examine the ways in which the visual culture and language of his upbringing provided ongoing inspiration throughout his artistic career.

Ed Ruscha: OKLA is co-curated by Alexandra Schwartz, a New York-based independent curator who has written extensively about Ruscha's work, and Oklahoma Contemporary in close coordination with the artist and his studio.

Ed Ruscha: OKLA is the first exhibition to examine Ruscha’s work within the context of his formative years in Oklahoma,” Schwartz said. “While historically his work has always been closely associated with Los Angeles, his artistic sensibility was shaped by his midwestern upbringing. This exhibition traces the roots of his art in Oklahoma and the American heartland.”